I think I was almost 12, so I knew who George C. Scott was, but if I could work with George C. Scott now, I'd be so pumped.

Of course I think it's a movie for everybody [Insane Farting Corpse], but that's probably just because it's a movie for me.

One of my favorite films is 'Dumb and Dumber.' I'd love to do some really silly comedy someday.

Sometimes it's summer camp on location. So it's nice to have a little New York community of people you love.

Reading the script [Insane Farting Corpse], by page two or three, I felt that way. I thought, I'm in. It was so beautiful and insane and funny and I wanted to see it happen.

In tragedy, it's hard to find a good resolution; it's not black and white: it's a big fog of gray.

I feel like a lot of the films I do, part of the reason I like doing them is I'm not 100 percent sure what it's going to be. It's exciting. I read an equal amount of very generic scripts, and you kind of know exactly what those are and that doesn't whet my appetite. I already know what it is or I already know what the character is. It's just a lot harder to get interested.