Reading the script [Insane Farting Corpse], by page two or three, I felt that way. I thought, I'm in. It was so beautiful and insane and funny and I wanted to see it happen.

I went to tranny bars and kind of got used to being around that and then getting dressed up.

When somebody mentions that I did a play with George C. Scott, I'm like, it can't have happened. What was I doing on a Broadway stage at 11 years old? It's so far in the distance now.

As your career progresses, you hope that you get some more opportunity, or some more choice.

I approach every role from scratch.

I think carrying your gut, or your instincts, through all the learning, is one of the most important things. You learn to prepare for a part in different ways, you learn to experiment, what you do for the character - you try working in different ways.

For me, playing a really bad character is about figuring out what brought the person to where we need him.