If some magic thing happens, and everybody goes completely nuts, and does something we never thought of, the cameras catch everything. That comes from having camera people who are almost like actors and writers themselves.

You have to know everything. You have to know how to light a scene. You have to know all this technical stuff about directing. No, you don't. You can know as much or as little as you have to. Your main job is to get great performances and tell the story correctly and capture it correctly. Then it's just basically yours to complicate or simplify as much as you want.

For years, it's driven me crazy that women don't have better roles, especially in comedies. I know so many funny women but I always felt... misogynist streak is too strong a term - but a dismissiveness.

I just love Kate. [Bieber], to me, is one of the funniest impressions because it's so all encompassing. It's like a total body and soul impression. But that's Kate. Every character she does is that way.

Handheld camera is approximating what we're seeing when we're looking at each other, and kind of looking around, and your eyes whipping around. It adds an immediacy, where you feel like you are watching something through your own eyes, standing there with them. And that just allows you to take more liberties and have more fun with people's behavior.

So many stars who have shows are intimidated by having people around them be funnier than them. It's always the unsuccessful ones. Look at Seinfeld - he's great because he let everyone be hilarious.

Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.