Cinema has become my life. I dont mean a parallel world, I mean my life itself. I sometimes have the impression that the daily reality is simply there to provide material for my next film.

Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be.

It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing.

The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple.

I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after.

All my movies are difficult to classify because they are very eclectic in mixing genres.

When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.