In order to be successful, you have to honor what's in old fashion house, but you also have to play with it and push the limits of it.

I want Pucci woman to be a Pucci girl. That's number one, because I think she should have that vibe that corresponds with today. Emilio Pucci - the house is, I think, 63 years old now. It's an old house. The Pucci woman from the beginning would be 80 years old or something today, so I've kind of had to update her.

Working for an older house is a great opportunity, but it's also a big responsibility. The fortunes of a lot of people and families are based on what the results of my collections are, and how successful they are on a commercial level, and how big an impact they have on a trade level as well. So I think I'm a little bit more chill about that.

Paris is one of the most incredible places to live. Once you get bitten by the city, you never leave.

In order to be successful, you have to honor what's in old fashion house, but you also have to play with it and push the limits of it.

The year before was my first collection for Emilio Pucci, and I was just starting the job and working in his Renaissance Palazzo, where Pucci is headquartered, so that inspired me. I found this image in the book. It was an old image of Emilio Pucci hanging out by the seaside with all of these women, and that's exactly how I used to think about this house - more of a lifestyle thing. This beautiful life. So I'm really working on that.

I'm incapable of functioning without music. I've always had it in my life. I played the violin when I was a kid, and my mother was a violinist at that point, so it's always been important to me in one way or another. When I work, there's always music cranking.