I write almost always in the third person, and I don't think the narrator is male or female anyway. They're both, and young and old, and wise and silly, and sceptical and credulous, and innocent and experienced, all at once. Narrators are not even human - they're sprites.

Lonely? I don't know. They tell me this is cold. I don't know what cold is, because I don't freeze. So I don't know what lonely means either. Bears are made to be solitary.

You are dead- what am I speaking to?

But think of Adam and Eve like an imaginary number, like the square root of minus one: you can never see any concrete proof that it exists, but if you include it in your equations, you can calculate all manner of things that couldn't be imagined without it.

As Jane Austen might have put it: It is a truth universally acknowledged that young protagonists in search of adventure must ditch their parents.

I don't expect Christians to see God as a metaphor, but that's what he is. Perhaps it might be clearer to call him a character in fiction, and a very interesting one too: one of the greatest and most complex villains of all - savage, petty, boastful and jealous, and yet capable of moments of tenderness and extremes of arbitrary affection - for David, for example. But he's not real, any more than Hamlet or Mr Pickwick are real. They are real in the context of their stories, but you won't find them in the phone book.

I will love you for ever, whatever happens. Till I die and after I die, and when I find my way out of the land of the dead I'll drift about forever, all my atoms, till I find you again.