If you've taken the job to be the stylist for a collection, then I think it's important for you to really listen to the designer and look at the board. Look at the wall, look at what the designer is interested in, and then move on to that. But the designer also must not lose sight of the reason for their point of view. Otherwise it won't come across.

I love street, adore street. Life is about mixing things and to be divine in the streets. Voila!

I personally do not think that I have ever done, in my working life, anything vulgar. I know I've done provocative things.

I also had a huge crush on William Holden. I would go to see William Holden's movies alone - I didn't want to be with anybody. I just wanted to be with him.

I hate grunge. It was the worst period of my life.

That bothers me when I see that fashion editors are consultants for brands. It tells me that the designer has lost sight of what he or she really wants to do, and that he or she is listening to the strength of a very strong stylist and being a little watered down - and by watered down, I mean, the strength of the designer's vision. I'm not saying it's easy.

You can squint and see something else, or something will come forward in the paint. You'll always see something else.