Steven Meisel is completely consumed with what interests him. He does what he wants to do, and when something doesn't interest him, he's not afraid to say so. I think that's why you don't see his work all over the place as often as you might like to. Today he only photographs what he wants to photograph, what turns him on. He has an extraordinary eye, and his sophistication is limitless. This is a man who doesn't miss a beat.

I think that there are people who go to the best stores, and they have money, so money is no object, but they can't find a pretty dress - and I think that's their problem because the dresses are out there somewhere. So I think the answers to these questions lie somewhere in there.

That bothers me when I see that fashion editors are consultants for brands. It tells me that the designer has lost sight of what he or she really wants to do, and that he or she is listening to the strength of a very strong stylist and being a little watered down - and by watered down, I mean, the strength of the designer's vision. I'm not saying it's easy.

I love street, adore street. Life is about mixing things and to be divine in the streets. Voila!

I think the reason for vulgarity is because of the freedom that there is now to do certain things, and a lack of sophistication on the part of some people who, in their work, like to give the impression of, "Has there been intercourse or not? Are they about to?" But they take it into a realm that has a vulgar touch to it.

I wear all my T-shirts from Helmut Lang with the holes in the elbows, which people always speak of. When my husband gets a hole in his sweater, at his elbow, he says, "It's very Helmut Lang!"

Helmut Lang is an amazing man - always striving, always moving forward.