It [9/11 tragedy] was the spectacle, what al-Qaeda gets its main power from - why their terrorism truly earns the word "acts." They are very theatrical, always - the simultaneous violence, the grandiose, symbolic gestures (the number 911, "United" and "American" flights, the World Trade as target etc). And then its aftermath.
Porochista KhakpourBeing unique seems more desirable than ever. People are exhausted by clichรฉs, by platitudes, by mass-produced realities, by what's been done and done and done. The role of a true artist is to present their own unique vision, and so it has always made sense to me that works of art should be radical.
Porochista KhakpourIt [9/11 tragedy] has affected us on so many levels: economically, morally, spiritually, ethically. It's been all over the place. A new American identity emerged - we now live in a very different America. This is the power of the definitive event.
Porochista KhakpourAddiction is a very compelling subject for literature - especially now that it's nearly impossible to come out of adult experience without some addiction - to substances, sure, but also to love, sex, success, failure, power.
Porochista KhakpourI both loved and hated South Pasadena. On the one hand, it was so diverse - all my closest friends were immigrants or had immigrant parents. On the other hand, it was a bit conservative - in a sort of wholesome, Midwestern, small-town sense. I never met a single writer until I moved to New York City for college.
Porochista KhakpourI always read the Latin American writers. I love so many of them: Gabriel Garcรญa Mรกrquez, Josรฉ Donoso, Alejo Carpentier, Jorge Luis Borges, Clarice Lispector. I also love a lot of American experimental writers and surrealist European writers. But perhaps The Persian Book of Kings was the greatest influence - I encourage people to look at it. There is such a wealth of incredible stories.
Porochista Khakpour