I always read the Latin American writers. I love so many of them: Gabriel Garcรญa Mรกrquez, Josรฉ Donoso, Alejo Carpentier, Jorge Luis Borges, Clarice Lispector. I also love a lot of American experimental writers and surrealist European writers. But perhaps The Persian Book of Kings was the greatest influence - I encourage people to look at it. There is such a wealth of incredible stories.
Porochista KhakpourMy interest, perhaps, came out of the trauma of being a young immigrant in this country and constantly feeling my "resident alien" status. I remember trying to learn English on kindergarten playgrounds. I tried hard to be a convincing American but it was a losing battle. I was labeled weird and that tag never left me - all through high school, I was always the oddball. It was not always an easy path - I just had to tell myself that one day, being on the periphery would become an asset (and I think it finally has, as a creative adult).
Porochista KhakpourBut literature, I discovered, can also save you. Truly. Over the clichรฉ and through the truth, it can save.
Porochista KhakpourI write very raw, ugly, illiterate first drafts very quickly (novels are always in first draft in under a year) and then I spend years and years fine-tuning, revising, editing, etc. What inspires me? Who knows. I am not inspired that much. Thatโs why I write long form fiction - I am not much of a short story writer. Ideas come seldom, but when a good one comes, I really stick to it and see it out. Iโm a problem-solver - I've never thrown out an entire manuscript; I've always forced myself to repair it until it was a lovable thing again.
Porochista KhakpourThe original Zal story by Ferdowsi gives a very moving account of an infant who had all odds against him - he was left to die in the wilderness and a giant, benevolent bird rescued him and became his guardian angel. This tale thrilled me; I've always wanted to write about it.
Porochista KhakpourI love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted with thriller and fantasy and even science fiction. I wanted the coming-of-age story and the love story to be about "outsiderdom" - one of the themes I am most interested in.
Porochista KhakpourThere is less gray area there, less doubt. There is a security in being some thing all the way. Our culture, too, encourages this way of being - exaggeration, for example, is the key to advertising success in the United States. But hyperbole also seems a big part of Iranian culture, as well.
Porochista Khakpour