I just see in pop culture, music, visual art, books, etc., a real hunger for the new and different, and I think that's amazing. Satisfying this hunger is part of the responsibility of a creative person.
Porochista KhakpourI love to read and teach experimental fiction but yes, neither this work nor my first novel is really that experimental. It uses some experimental techniques but in the end, I would not say that it is experimental. I'm not sure why. I do a lot of writing on my own, and I have always just written this way.
Porochista KhakpourI wanted to literalize the surreal here. Those are my favorite kinds of stories. I love when Gabriel Garcรญa Mรกrquez does that, for instance - it adds to the joy, dares you to believe the unbelievable. And why not: so much of life is so dreamlike, so strange, so absurd.
Porochista KhakpourThe original Zal story by Ferdowsi gives a very moving account of an infant who had all odds against him - he was left to die in the wilderness and a giant, benevolent bird rescued him and became his guardian angel. This tale thrilled me; I've always wanted to write about it.
Porochista KhakpourMy characters' addictions are what makes them a bit stylized or "grotesque" - not just in appearance but through what drives them. Addiction is what threatens stability and normalcy and yet it seems very much a part of being human - at least we are all a bit obsessive and compulsive. Aren't all humans driven by mad desires for one thing or another?
Porochista Khakpour