I don't think Pulp Fiction is hard to watch at all.

I remember when it was reported that I was going to do the film in this format, people were actually speculating, and I guess I understand it. They were like, "Yeah, okay, that all sounds really great, but why would he do it for a thing that's so set bound?" That's not very profound thinking when it comes to 65mm. It's not just for shooting travelogues, mountain scenery and nature.

I think it almost all has to do with coming at writing from an acting perspective, because I didn't, like, study writing. I studied acting.

Everything I learned as an actor, I have basically applied to writing.

If I'm doing my job right, then I'm not writing the dialogue; the characters are saying the dialogue, and I'm just jotting it down.

If you're trying to drop ten pages from a screenplay, it hurts like hell, but if you just put it away for a month and then take it out, you can do it just like that!

Critics don't want to see directors they like make too much of a left turn. That's good for criticism.