When I worked on an erotic shoot... I shot digitally. It helped the models get into it because they could come over and see what was happening. It was the closest to being sexual, because it was a participatory experience.

There's a time when people say your work is revolutionary, but you have to keep being revolutionary. I can't keep shooting pop stars all my life. You have to keep changing, keep pushing yourself, looking for the new, the unusual.

Photography to me is an addiction. I get jittery after a couple of days without a camera. Everyone who knows me says I'm happiest when I'm shooting.

At the end of the day, photography is ninety-nine percent business, connections, and politics and one percent creativity.

My dad would often take me to the cinema and I found myself really seduced by the imagery, I think this had a massive impact on how I viewed the world.

I remember driving around with my parents when I was little and looking out of the window and being very aware that it was the shape of a film screen when you went to the cinema. This was how I first saw the world, framed through a car window.

At the end of the day, it's only a photograph and if someone is going to get really upset about a photograph, then they have a lot of issues. I just roll with it and see what happens.