At the end of the day, it's only a photograph and if someone is going to get really upset about a photograph, then they have a lot of issues. I just roll with it and see what happens.

I think if you don't love people and aren't fascinated by them, you'll never succeed as a portrait photographer, because your pictures will look cold.

There's a time when people say your work is revolutionary, but you have to keep being revolutionary. I can't keep shooting pop stars all my life. You have to keep changing, keep pushing yourself, looking for the new, the unusual.

I think the relationship between print and film is symbiotic, it's more about evolving and complimenting your existing content. The two are very much interconnected.

I remember driving around with my parents when I was little and looking out of the window and being very aware that it was the shape of a film screen when you went to the cinema. This was how I first saw the world, framed through a car window.

My dad would often take me to the cinema and I found myself really seduced by the imagery, I think this had a massive impact on how I viewed the world.

If you surround yourself with talented people and you give them the freedom to achieve, then the work will never fail.