I remember driving around with my parents when I was little and looking out of the window and being very aware that it was the shape of a film screen when you went to the cinema. This was how I first saw the world, framed through a car window.

I think the relationship between print and film is symbiotic, it's more about evolving and complimenting your existing content. The two are very much interconnected.

At the end of the day, photography is ninety-nine percent business, connections, and politics and one percent creativity.

It's important to be honest enough about your work, and the areas in which you can improve. I'm still learning every day and I'm still Hungry to create more and better work, hence the name.

You have to believe in what you're doing otherwise what's the point?

My dad would often take me to the cinema and I found myself really seduced by the imagery, I think this had a massive impact on how I viewed the world.

When I worked on an erotic shoot... I shot digitally. It helped the models get into it because they could come over and see what was happening. It was the closest to being sexual, because it was a participatory experience.