My dad would often take me to the cinema and I found myself really seduced by the imagery, I think this had a massive impact on how I viewed the world.

My Dad taught me that the English upper class are sent to school to be taught to be confident, whereas in Glasgow you're born confident. I've always thought that pretty much summed me up. Born confident.

At the end of the day, it's only a photograph and if someone is going to get really upset about a photograph, then they have a lot of issues. I just roll with it and see what happens.

I think the relationship between print and film is symbiotic, it's more about evolving and complimenting your existing content. The two are very much interconnected.

There's a time when people say your work is revolutionary, but you have to keep being revolutionary. I can't keep shooting pop stars all my life. You have to keep changing, keep pushing yourself, looking for the new, the unusual.

When I worked on an erotic shoot... I shot digitally. It helped the models get into it because they could come over and see what was happening. It was the closest to being sexual, because it was a participatory experience.

If you surround yourself with talented people and you give them the freedom to achieve, then the work will never fail.