You have to believe in what you're doing otherwise what's the point?

I remember driving around with my parents when I was little and looking out of the window and being very aware that it was the shape of a film screen when you went to the cinema. This was how I first saw the world, framed through a car window.

You have to believe in what you're doing otherwise what's the point?

I think the relationship between print and film is symbiotic, it's more about evolving and complimenting your existing content. The two are very much interconnected.

If you surround yourself with talented people and you give them the freedom to achieve, then the work will never fail.

I think if you don't love people and aren't fascinated by them, you'll never succeed as a portrait photographer, because your pictures will look cold.

When I worked on an erotic shoot... I shot digitally. It helped the models get into it because they could come over and see what was happening. It was the closest to being sexual, because it was a participatory experience.