Most of what you see in architecture are watered-down ideas of sculptors who have come before.

On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton.

Most photographs take their cues from advertising, where the priority is high image content for an easy Gestalt reading.

If you reduce sculpture to the flat plane of the photograph, you're passing on only a residue of your concerns... You're not only reducing the sculpture to a different scale for the purposes of consumption, but you're denying the real content of the work.

Everything we choose in life for its lightness soon reveals its unbearable weight.

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.

Most of what you see in architecture are watered-down ideas of sculptors who have come before.