Most of what you see in architecture are watered-down ideas of sculptors who have come before.

Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see.

If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.

I used to eat lunch with Billy Wilder when I first came out here.

I think this, I think basically I'm not interested in people following my work or making work like my work.

It could be that people want to consume sculpture the way they consume paintings - through photographs... I'm interested in the experience of sculpture in the place where it resides.

On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton.