Art is not democratic. It is not for the people.

But you have to take all of those things, you have to take into consideration the paths, the roadways, how much cloud cover there is, how much foliage cover there is, whether there are streams, all of that comes into play.

It could be that people want to consume sculpture the way they consume paintings - through photographs... I'm interested in the experience of sculpture in the place where it resides.

But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.

The thing about rigging is, you can learn it if you become a master rigger but there's no book on rigging.

I used to eat lunch with Billy Wilder when I first came out here.

Most photographs take their cues from advertising, where the priority is high image content for an easy Gestalt reading.