I think this, I think basically I'm not interested in people following my work or making work like my work.

Most photographs take their cues from advertising, where the priority is high image content for an easy Gestalt reading.

If you reduce sculpture to the flat plane of the photograph, you're passing on only a residue of your concerns... You're not only reducing the sculpture to a different scale for the purposes of consumption, but you're denying the real content of the work.

Most of what you see in architecture are watered-down ideas of sculptors who have come before.

Work out of your work. Don't work out of anybody else's work.

On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton.

I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.