I think this, I think basically I'm not interested in people following my work or making work like my work.

I think different people have different problems and different relations to the exhibition of their work.

I started working for Bethlehem Steel when I was about 16 during the summers.

And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public.

But you have to take all of those things, you have to take into consideration the paths, the roadways, how much cloud cover there is, how much foliage cover there is, whether there are streams, all of that comes into play.

But I don't think of any particular viewer in mind other than myself.

The thing about rigging is, you can learn it if you become a master rigger but there's no book on rigging.