The thing about coming back to the Bay Area, it's like coming home for me.

Time and movement became really crucial to how I deal with what I deal with - not only sight and boundary, but how one walks through a piece, and what one feels and registers in terms of one's own body in relation to another body.

I started working for Bethlehem Steel when I was about 16 during the summers.

The thing about coming back to the Bay Area, it's like coming home for me.

But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.

Now when you have administrators deciding what sexuality is, and whats a taboo and whats not in terms of content, you got guys, like, Trent Lott who equates homosexuality with a disease.

I think different people have different problems and different relations to the exhibition of their work.