The thing about coming back to the Bay Area, it's like coming home for me.

I think this, I think basically I'm not interested in people following my work or making work like my work.

Promenade was totally driven by the context. The internal relationships of measurement and placement related to the central axis of the site. The placement of the rectangular plates followed a strict logic in that the plates tilted away and towards the center line in an asymmetrical counterpoint. However, the perception of the sculpture contradicts the logic of its relation to the site. As you walk inbetween the plates you see fragments, you see the work in part, you cannot grasp the whole.

But I'll try to immerse myself in as many of the formal characteristics of site as possible in the landscape.

Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see.

If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.

I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.