The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.

Noon-day sunshine cinema-ized the site, turning the bridge and the river into an over-exposed picture. Photographing it with my Instamatic 400 was like photographing a photograph. The sun became a monstrous light-bulb that projected a detached series of stills through my Instamatic into my eye.

As long as cameras are around no artist will be free of bewilderment.

One day the photograph is going to become even more important than it is now.... But I am not particularly an advocate of the photograph.

I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.

Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future

Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.