Language thus becomes monumental because of the mutations of advertising

When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us

Language thus becomes monumental because of the mutations of advertising

Language should be an ever developing procedure and not an isolated occurrence.

Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.

Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye.

A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.