Painting, sculpture and architecture are finished, but the art habit continues.

Noon-day sunshine cinema-ized the site, turning the bridge and the river into an over-exposed picture. Photographing it with my Instamatic 400 was like photographing a photograph. The sun became a monstrous light-bulb that projected a detached series of stills through my Instamatic into my eye.

Art's development should be dialectical and not metaphysical.

I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.

History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy

A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.

Nature is never finished.