Noon-day sunshine cinema-ized the site, turning the bridge and the river into an over-exposed picture. Photographing it with my Instamatic 400 was like photographing a photograph. The sun became a monstrous light-bulb that projected a detached series of stills through my Instamatic into my eye.
Robert SmithsonArt history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
Robert Smithson