Mistakes and dead-ends often mean more to these artists than any proven problem

Mistakes and dead-ends often mean more to these artists than any proven problem

Language should be an ever developing procedure and not an isolated occurrence.

The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.

When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us

Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.

Art's development should be dialectical and not metaphysical.