The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.

An emotion is suggested and demolished in one glance by certain words.

Language thus becomes monumental because of the mutations of advertising

History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy

Artists themselves are not confined, but their output is.

Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye.

Questions about form seem as hopelessly inadequate as questions about content.