A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.

Painting, sculpture and architecture are finished, but the art habit continues.

Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.

Art's development should be dialectical and not metaphysical.

Artists are expected to fit into fraudulent categories.

From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.

Nature is never finished.