Art's development should be dialectical and not metaphysical.

A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.

There is something abominable about cameras, because they possess the power to invent many worlds. As an artist who has been lost in this wilderness of mechanical reproduction for many years, I do not know which world to start with. I have seen fellow artists driven to the point of frenzy by photography.

The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.

Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.

An emotion is suggested and demolished in one glance by certain words.

Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye.