Art's development should be dialectical and not metaphysical.

History is a facsimile of events held together by finally biographical information.

Language thus becomes monumental because of the mutations of advertising

Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye.

The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.

Museums are tombs, and it looks like everything is turning into a museum.

Noon-day sunshine cinema-ized the site, turning the bridge and the river into an over-exposed picture. Photographing it with my Instamatic 400 was like photographing a photograph. The sun became a monstrous light-bulb that projected a detached series of stills through my Instamatic into my eye.