Art's development should be dialectical and not metaphysical.

The memory of what is not may be better than the amnesia of what is.

Museums are tombs, and it looks like everything is turning into a museum.

Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.

The scenic ideals that surround even our national parks are carriers of a nostalgia for heavenly bliss and eternal calmness.

A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.

Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control