Sometimes I write songs that just come out in a pop format because I grew up on melody and these amazing artists during the 80s. It's my tradition and it's something that I can't really control.

So don't stop moving forward. For a while, you may feel as though you're taking two steps forward, one step back. And there may be some personal heartache along the way. But when you look your little ones in the eye, you will find your voice and take a stand for them. We are their voices. And we must have the courage to stand up for them, whatever the odds or however powerful the opposition might be.

You cant censor peoples dreams.

The way I figured it, keeping quiet was safe. Words could betray you if you chose the wrong ones, or mean less if you used too many. Jokes could be grandly miscalculated, or stories deemed boring, and I'd learned early on that my sense of humor and ideas about what sorts of things were fascinating didn't exactly overlap with my friends.

My parents had an independent theater company here in Sweden during the 1980s, so I was raised watching my parents create independently, having a lot of fun and just doing what they wanted to do. I think that idea of independence as an artist was something I was always used to. And then I entered the industry from a very commercial perspective, and things were very different then from what I grew up with.

I'm maybe not so anxious to be a successful pop artist. Of course I want people to like my music, but I know what the price of success can be, too. Basically, I'm happy as long as I can keep my freedom, so I'm so happy with the way things are at the moment. I get to be hands-on with details in every aspect of what I'm doing, but I also get to perform for a big audience.

I try to be genuine. I try to be real. It's such a subjective thing, but I try to convey an emotion.