The interesting thing for me is to put together all my influences and all my experiences I got through my traveling with my father.

At the beginning of the tour, I arrange the live show exactly like the album, but of course from one audience to another, from one venue to another, it can become longer.

It's a great experience just to understand that finally being well known is not the most important thing.

I think about all these influences and musical cultures, then the opinion of the audience is of course important, but when I'm working on an album or a new project, I'm not all the time thinking about what the audience will think about it.

I can introduce new parts because when you are on stage in front of a very happy audience or people who love what you are doing, you are able to do extraordinary things that you yourself didn't think you could do before.

In general, in painting sometimes people like Picasso or somebody are not very well known in the beginning, sometimes they become well known just before they die, or sometimes after they have died. I think these people start to be artists after they've stopped existing.

I've been in contact with music since I was four or five years old through my father, because of the interest he had in music and all his musical skills. I finally managed to make that my profession.