The best directors I've worked with, they all have the same thing in common. They're the first to say, 'I don't know.' If you ask them, 'How are we actually pulling off this movie?', they'll just shrug and go, 'I have absolutely no idea.'

I find that I get a little depressed if I don't move my body each day, so sometimes it's just as simple as walking, and other times it's training for a marathon or some kind of personal goal that I'm trying to meet.

I had a lot of different jobs between fifteen and nineteen. I'd moved out of my house way, way younger than I should have. So I was living out on my own with my brother when I'd just turned sixteen. I did busboy stuff, and worked in warehouses, and did odd jobs, and stuff. I earned me some Pesos.

I'm pretty good at surprising friends and family with gifts. I tend to go towards the more sentimental side of giving.

The R.I.P.D. picture is like a graphic novel, I guess. I don't know if it's like a typical kind of comic book. But there is great source material for those kinds of films.

I feared disappointing my father more than anything in the world.

Doing a film with your friend is probably the best way to end that friendship but we worked together really well. We just have that thing. Chemistry is something that... I just think it is the last thing in Hollywood, the last magical thing they haven't computerised. There's nothing you can do about it - it's either there or it's not and it doesn't matter if you're friends or not. It was just a bonus that we were.