Hollywood is like a stock market - you're always up and down and all around. With age, you start to invest less in the outcome of that.

That's why you and I had friction? God, I always thought it was 'cause, 'cause I fooled around with your daughter freshman year.

When I first moved to Los Angeles I came down there on a wing and a prayer in a way. I had about six weeks worth of money to make it there and that was just from doing a couple of episodes of the X-Files just to finance that trip. I got there and it is either you got to hit it or you got to go and, thankfully, I found a job.

I remember being upset because I was finally legal to drink in Canada, and I decided to throw that all away and move to America, where I had to wait another two years. I came here to do improv and to try to join the Groundlings.

If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.

I'll do whatever it takes for a movie. I don't really care what that is.

I firmly believe that you can't manufacture chemistry with anyone, let alone a kid.