You have to really make sure that every moment means something, and that every moment, there's a purpose for it. And then you have to blend it all together without it looking like you're really focusing on it. That, to me, was the magic trick that was most difficult for the film [Buried].

I noticed while working on Green Lantern that the actor - albeit forefront in the film, obviously, and the key focus for the audience - is kind of the smallest cog in the machine when you're shooting.

I'm a bit of an M&M nut. I like the blue ones. I pick them out.

There are 7 billion people on the planet. Pretty much everyone is doing sex. It's not like you need to order the "baby-starter kit" on Amazon. Instincts will come to you at the weirdest places and times.

It's just that... working on Green Lantern, I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.

We learned early on that we had chemistry and I was so grateful for that. It's like one of the few magical things about film that still exists.

I'm terrified that I'm genetically predisposed to only having boys. That's frightening. By the time I was 10 years old, and I'm not exaggerating, I knew how to patch drywall.