Anytime you do a job, especially one that's as intense and long as this one was, you have phantom work syndrome. I'm constantly feeling like I'm miked, so I'm careful of what I say all the time.

I was in love with the British 'The Office', so even though I love Steve Carell, when they were going to remake it, I was like, 'This is not going to work. I'm going to completely veto this show. I am not going to watch this show.' But now, I love it.

There are movies that I love tonally, that I would love to emulate. Anything from Wes Anderson or the Coen brothers is right in my wheelhouse, as something that I would aspire to. I love that kind of indie, fun, colorful, funny, sweet, heartfelt but dark film.

Historically, I've done movies, but I've got a family already. I've been doing this for many years, and the idea of working consistently on something that I really, really love, and the steadiness of it, was really appealing.

I would be hard-pressed to look back at anything that I have done in my career and not say, "I would have done that a little different" because hindsight is 20/20.

The transformation is the most excruciating pain that you could possibly imagine, so you're mimicking this grand mal seizure while wearing crazy latex make-up. It's so bizarre. It's really out there. The most challenging part is the emotional and physical side of it.

Anytime you do a job, especially one that's as intense and long as this one was, you have phantom work syndrome. I'm constantly feeling like I'm miked, so I'm careful of what I say all the time.