It's sad when you say a $30 million film is an inexpensive film, but it is.

I'm always in this shape, that shape, whatever shape you like the most. I am always in various stages of shapes. If the woman needs to be more soft I'll gain weight and then I'll lose weight for another film that I did where I wanted her to be more wiry. I enjoy using my body as something that helps me get to a character.

I had prepared myself for the second half of my life [to be] filled with other passions that don't include being in front of the camera. And then all of a sudden I got more work and more work and more work. And I went, "Well maybe things have shifted." And I think they have.

I haven't always acted or reacted in a way that made me proud, but I didn't make that same mistake twice, and I think that's what I love about adversity is that it always reminds me of what's really valuable in life.

I was so thankful that I got to go back to comedy and I felt bad that I had abandoned something that I guess I was naturally given and lucky to have an loved all of my life, but didn't love it anymore because I didn't get to do it the right way.

I don't know if I always want to be in front of the camera. I love producing, I love the camaraderie. I love the adventures. I love the stress.

I have these big piano-playing hands. I feel like I should be picking potatoes.