We started an organization that's the only sub-organization of the MacArthur Foundation and we are called the Macarturos. Usually when I win something, I'm the only one of my ethnicity to get it, but this time I met all these Latinos, and I was so excited. I'd meet someone and I'd go, [...] "Can you come to San Antonio?" And they'd go, "Oh yeah." [...] And suddenly I had twelve people that said they would come. And I didn't know how it was going to be. And that's how the Macarturos became a reality, where these very generous geniuses come to San Antonio and work together.

One of the things we learned from that panel is the way poor communities use a library is very different from wealthy communities. But the way the library books are measured are by how many books are taken out. And people in poor communities sometimes won't take the book out because they're afraid to. They're afraid of losing it and not being able to replace it.

I was looking at a lot of experimental writers, and I was very intrigued by short-short fiction, writers who would write little things, what I call buttons now, little vignettes.

I like to think about the bestseller list as, "This is the medicine cabinet of a very sick country." Let me look and see what they're reading that isn't nourishing them.

Don't be afraid to say what you don't know, and speak for what you do know. Say, "I can't speak for all Latinas, but I can speak for me and tell you very, very honestly."

You don't have to be the specialist on everything. You can try to inform yourself.

I don't want to blame anybody, but I just want to tell you that the process of writing is antisocial, so on the days that you have something really important to write, go from lying down directly to your notepad or your computer. Do not talk.