I have to get my will in order. I have to get the Macondo Foundation going. I want to invest the money and resources that I've gotten from working so hard so that it's shared and it has its life beyond me.

What do we call our Harlem Renaissance? Maybe in the future, it won't be just Latino, maybe it'll be more multi-multi, because, you know, people are such fusions now, of so many different cultures.

Friends started saying, "Oh, don't come. No vengas. It's dangerous for us, and we live here." Then there's also the issue, if you go back, and you happen to be Mexican-American, you get treated very differently [in Mexico] than if you're blond. If you say something wrong, they say, "Why don't you learn your mother tongue?"

And the nice thing about writing a novel is you take your time, you sit with the character sometimes nine years, you look very deeply at a situation, unlike in real life when we just kind of snap something out.

I didn't intend to be writing - the writer's life. I was just writing what came to me at the time, but it is a map of how this writer had to break many barriers to find, not a room of her own, but a house of her own.

Generally if you're a daughter in a Mexican family, no one wants to tell you anything; they tell you the healthy lies about your family.

But I deal with this by meditating and by understanding I've been put on the planet to serve humanity. I have to remind myself to live simply and not overindulge, which is a constant battle in a material world.