I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.

We just kind of wanted to play with these iconic moments of action. There's a really small one that always makes me laugh really hard, where there's a big shootout at the end, and the moment my gun runs out of bullets, I turn and there's just another gun sitting there, and I'm, like, oh, nice.

In my sick brain, gruesome violence and comedy go as hand-to-hand together as anything else in the world.

Vegans are murderers, just like everyone else.

You can actually improvise a lot as a voice actor. It's not that entirely different than shooting a live action movie; the characters mouths are quite easy to manipulate once all the information is built into the computer. So you can improvise a lot and it doesn't matter really how far along they are in the process they can really just make the character say something different.

I know most people don't like their jobs very much and don't get a lot of personal satisfaction from their jobs. That's something that I really do get a lot of.

I think around that time I met David [Gordon Green] or, well, we all met at Superbad and Judd [Apatow] said, 'I'm thinking about having him direct [ Knocked Up].' Sounded like a good idea.