The original idea [ of the Pineapple Express] came from Judd [Apatow] actually. He just kind of had the loose notion of like, 'What about a weed action movie?'.

You can actually improvise a lot as a voice actor. It's not that entirely different than shooting a live action movie; the characters mouths are quite easy to manipulate once all the information is built into the computer. So you can improvise a lot and it doesn't matter really how far along they are in the process they can really just make the character say something different.

I remember thinking as I was doing the jokes for the first time, "If I can hear that very clearly, I'm not hearing laughter." It just became deafening, this buzzing noise. I mean, it was brutal. It was really terrible. Then I remember thinking, "At least nobody important, or anyone who I really respect, saw that." And then literally right when I went off the stage, Jerry Seinfeld got up and went on. So I was like, "Oh great. Seinfeld saw me bomb." On the other hand, I thought, "At least no one will be thinking of me anymore. They'll just be focusing on him."

All my friends are talented enough to get nominated for awards. I just am always surprised when things and people I like are also liked by things like the Oscars.

It's definitely not true what they say about women wanting a guy with a sense of humour. What women mean is that they want a guy with a sense of humour who is really handsome. If a girl had a choice between Brad Pitt or me, she'd pick Brad Pitt. And I'm a lot funnier than he is.

We just kind of wanted to play with these iconic moments of action. There's a really small one that always makes me laugh really hard, where there's a big shootout at the end, and the moment my gun runs out of bullets, I turn and there's just another gun sitting there, and I'm, like, oh, nice.

I feel no sympathy for my food.