We made the song a big part of the story [Sausage Party ] itself, in that it's kind of their prayer that they say every morning, because we found that just to have an arbitrary song felt too unrealistic within the reality of our talking food movie.

I’m very curious in regards to "The Hateful Eight" specifically about the blocking of the movie. Because in comedies, we don’t block. We basically like have to position the actors’ bodies in the way that is most conducive to filming both of them simultaneously.

Making [Pineapple Express] was a blast. I'd kind of gotten to the point professionally where I was pretty emotionally exhausted from making dramatic films.

There was, like, a week straight of shooting, where, like, all I did was shoot a machine gun. And I hate to - every - it went against all my Jewish and Canadian instincts, but I enjoyed every second of it.

I read the script [ of 'Steve Jobs' movie ], and it was very, very good. I wasn't sure they would want me to be in the movie, but I auditioned for it. Which I hadn't done in a few years. But I had auditioned in the previous few years for another movie that I did not get the part. And so my track record wasn't good. But I really wanted to audition because I was worried that I was going to blow it, and I wanted it to be on them for choosing me.

One of the big things that we wanted to do was trying to kick out a car window as you're driving after it's been shattered obstructing your view. I mean, that's - I can't count how many movies I've seen that in, and we just thought, you know, like, it could be funny if it just kind of goes wrong and this foot just kind of punctures through the window and gets stuck.

Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.