I'm not entirely comfortable saying I'm an actor, because it seems like a very weird, almost dorky thing to say you are. I laugh after every take just out of the discomfort I feel that I'm even on film. It's an awkward thing for me to be doing. Once we get going, it's always fine, and as we're shooting, I'm never thinking about it. I'd say that all my time in front of the camera is equally uncomfortable for me.

I liked actions movies. Jean-Claude Van Damme was a major influence on me at that point in my life.

After every single take, I laugh. It's my own awkwardness and discomfort about being an actor.

I've never had something - like, you know, drunk people have tried to do that to me, and I instantly shut it off. I say, don't to this, dude; you'll feel terrible about this later. It'll be - I'll bring it up all the time; I'll make fun of you. Just save yourself the embarrassment and don't do it.

I remember thinking as I was doing the jokes for the first time, "If I can hear that very clearly, I'm not hearing laughter." It just became deafening, this buzzing noise. I mean, it was brutal. It was really terrible. Then I remember thinking, "At least nobody important, or anyone who I really respect, saw that." And then literally right when I went off the stage, Jerry Seinfeld got up and went on. So I was like, "Oh great. Seinfeld saw me bomb." On the other hand, I thought, "At least no one will be thinking of me anymore. They'll just be focusing on him."

Oftentimes what happens actually is people say to me, 'I didn't know if it was you or not, and then I heard you laugh, and then obviously I could tell it was you.'

We originally actually wrote Franco's part [in the Pineapple Express] for me and the part I ultimately played just for someone else in general. Then when we got Franco involved we thought it was a good idea to switch the roles. I think it worked really well.