I met Evan Goldberg at bar-mitzvah class. It was called tallis and tefillin.

I go to the theater, all the time. I'm not one of these secret movie, watch a 35mm print in my living the weekend it comes out guys. I'm not Jon Bon Jovi. I go to the Arclight, like a regular asshole.

I feel no sympathy for my food.

I remember thinking as I was doing the jokes for the first time, "If I can hear that very clearly, I'm not hearing laughter." It just became deafening, this buzzing noise. I mean, it was brutal. It was really terrible. Then I remember thinking, "At least nobody important, or anyone who I really respect, saw that." And then literally right when I went off the stage, Jerry Seinfeld got up and went on. So I was like, "Oh great. Seinfeld saw me bomb." On the other hand, I thought, "At least no one will be thinking of me anymore. They'll just be focusing on him."

I’m very curious in regards to "The Hateful Eight" specifically about the blocking of the movie. Because in comedies, we don’t block. We basically like have to position the actors’ bodies in the way that is most conducive to filming both of them simultaneously.

One of the big things that we wanted to do was trying to kick out a car window as you're driving after it's been shattered obstructing your view. I mean, that's - I can't count how many movies I've seen that in, and we just thought, you know, like, it could be funny if it just kind of goes wrong and this foot just kind of punctures through the window and gets stuck.

I'm intimidated anytime I work with someone who's directly outside my very insulated group of friends.