The narrative of serial art works more like music than like literature.

Artists teach critics what to think. Critics repeat what the artists teach them.

Conceptual art became the liberating idea that gave the art of the next 40 years its real impetus.

I believe that the artist's involvement in the capitalist structure is disadvantageous to the artist and forces him to produce objects in order to live.

Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.

A blind man can make art if what is in his mind can be passed to another mind in some tangible form.

Artists of many diverse types began using simple forms to their own ends.