I believe that the artist's involvement in the capitalist structure is disadvantageous to the artist and forces him to produce objects in order to live.

[The artist's aim is] not to instruct the viewer, but to give him information... . The artist would follow his predetermined premise to its conclusion, avoiding subjectivity. Chance, taste, or unconsciously remembered forms would play no part in the outcome. The serial artist does not attempt to produce a beautiful or mysterious object but functions merely as a clerk cataloguing the results of his premise.

The other great development has been in photography, but that too was influenced by Conceptual art.

Your work isn't a high stakes, nail-biting professional challenge. It's a form of play. Lighten up and have fun with it.

Every generation renews itself in its own way; there's always a reaction against whatever is standard.

Artists teach critics what to think. Critics repeat what the artists teach them.

Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.