There is something in the American project, something in simple American oratory, something in the hope and idealism of this frustrating and contradictory nation that still makes my spirits soar and my heart leap with optimism and belief. If only they understood how to make a cup of tea.

But an Adrian also knew that an Adrian's lies were real: they were lived and felt and acted out as thoroughly as another man's truths - if other men had truths - and he believed it possible that this last lie might see him through to the grave.

I may have looked happy but inside I was hopelessly depressed.

Compromise is a stalling between two fools.

The part of [Oscar] Wilde was exceptionally important to me; the man, his achievements, his wisdom, but his downfall, his disgrace and the tragic and bitter end to it have always fascinated, appalled and attracted me since childhood. It was he who first in some measure vindicated my sexuality.

I never quite dare to believe I'm brave enough to be an artist, but I'm on the side of artists. I think of myself as a bit of a Salieri, looking with longing eyes at Mozart.

We humans are naturally disposed to worship gods and heroes, to build our pantheons and valhallas. I would rather see that impulse directed into the adoration of daft singers, thicko footballers and air-headed screen actors than into the veneration of dogmatic zealots, fanatical preachers, militant politicians and rabid cultural commentators.