When it comes to rock music, I'm not much of a player, but I do have entry-level chops. I'm more knowledgeable as a listener, and Revival gave me a way to write about rock and roll without being preachy or boring.

And all that weirdness isn't just going on outside. It's in you too, right now, growing in the dark like magic mushrooms. Call it the Thing in the Cellar. Call it the Blow Lunch Factor. Call it the Loony Tunes File. I think of it as my private dinosaur, huge, slimy, and mindless, stumbling around in the stinking swamp of my subconscious, never finding a tar pit big enough to hold it.

Both Rowling and Meyer, they’re speaking directly to young people. … The real difference is that Jo Rowling is a terrific writer and Stephenie Meyer can’t write worth a darn. She’s not very good.

Anywhere in New York, anywhere in the country, somewhere there's going to be a Coke sign. People identify with Coke. You can write a novel about New York and people from the country will read it if they feel that you've made them familiar with New York.

Like all sweet dreams, it will be brief, but brevity makes sweetness, doesn't it?

I don't want you to apologize for being rich; I want you to acknowledge that in America, we all should have to pay our fair share.

I get inspiration, a lot of times, from very commonplace things that just strike a chord and develop themselves in the subconscious.