Nothing to me feels as good as laughing incredibly hard.

I find things funny that aren't self-aware. That don't know they're funny, and I think the same can hold true for drama. If you think you're in this tragedy and you play it for tragedy, there's a self-awareness there that I think takes you out of watching it and I believe it cuts both ways.

The ability to compromise and having the ability to laugh at ourselves is huge and works well for me.

When you approach it, and I hate sounding like the pretentious actor, but yeah, I think you have to find things within the character that are likeable, or at least human, and not to go at it with any sort of predetermined notions as to what that character is.

I'm not unattractive, but I'm not a matinee idol. I think I have a very non-threatening look - I'm fine, I'm right in the middle.

I think in most relationships that have problems, there's fault on both sides. And in order for it to work, there has to be some common ground that's shared. And it's not just one person making amends.

In an enclosed space, a camel's breath can change the atmosphere of the room. Not only just the smell, they literally seem to change the atmospheric pressure. It's so disgusting. It's like they have eight stomachs each more rancid then the next and it just comes out of their mouth.