I'm a huge fan of Jack Lemmon, he was someone who managed to tread that line between comedy and tragedy and sometimes give very big performances, but they were never over-demonstrative and they were never not based on a kind of real truthful human being.

I do like to make people cringe. That discomfort, tension, embarrassment, pain - all of those things interest me, and not through some sort of masochistic or sadistic impulse. It illuminates what being a human being is. It taps into what it is to be human more incisively than stuff that's just very pedestrian.

When I play myself, I want to be a slightly better person. It just agrees. Everything I play about myself is kind of true, but it's amplified. We all edit, don't we? If you're self-aware, you stop yourself - you know how to behave properly.

It's arguably the best newspaper in the world.

Big comedy is good, I like things that are big, but good comedy has to be truthful I think and has to reflect some sort of reality.

Convoy? Michael, you're hanging around with a man who uses a collective term for a single vehicle.

I want my work to be judged, not me.