With a feature film you're dealing with so much more money and you've got to be very aware of the fact that you're really working with an audience. You've got to have a relationship with the audience. Play with them and show them things you want them to see.

I constantly remind myself that there are terrible movies out there. I try to watch them, some of them, to give myself an understanding of what not to do.

There are lots of parts of filmmaking that I don't like. At the end of the day, especially on features, the film turns into a commodity. You have to play this entirely new game I'm very uncomfortable with.

The Jemaine [Clement] and Taika works is a very long and slow machine - we put an idea in one end, and it takes about six years to come out the other end. And sometimes it doesn't even come out. And sometimes it comes out as a different idea. So we've out the idea of We're Wolves into the machine, and it's now slowly going through the sausage maker.

The films I like to watch are when they make it relatable to human audiences.

I really love him [Jack Gleeson as Joffrey in Game of Thrones] - I love watching that character. It's quite phenomenal how people love to hate that character.

I might revisit - I like the idea of doing something else with [Hunt for the Wilderpeople characters]. But also I get bored of doing the same thing again. I just get bored.