With a feature film you're dealing with so much more money and you've got to be very aware of the fact that you're really working with an audience. You've got to have a relationship with the audience. Play with them and show them things you want them to see.

My job is to make a film that can sit as a standalone piece, that if it's the only Marvel film you see, it's a great film with a great story in and of itself. The lucky thing is that there's a bunch of geniuses who run Marvel that make sure, even if it's a standalone piece, that it's part of a great big jigsaw puzzle that could be appreciated as a whole as well.

I think I did not like him [Corey Feldman] in Goonies. He's kind of a similar character in Stand By Me isn't he? Well I liked him in Stand By Me.

I distinctly remember watching Annie when I was very little and thinking 'I don't like this kid.' In fact I think I remember thinking 'I don't like any of these kids.' That's all I remember.

Sundance felt like a natural fit. I love coming here, and I do think that this festival suits my films rather than most of the festivals I've been to. I'm not going to Cannes, you know.

In a couple of years I think it [sequel to What We Do] will come out as a script and we'll shoot that. Or maybe it will just come out as some t-shirts.

I never wanted to be a filmmaker. I still, sometimes, think I got sidetracked by this, like this is a tangent. My main thing was painting; I was just going to do that.