With a feature film you're dealing with so much more money and you've got to be very aware of the fact that you're really working with an audience. You've got to have a relationship with the audience. Play with them and show them things you want them to see.

I have to keep reminding myself that I was hired for a reason and one of those reasons is because of the stories I tell and the films I've made previously.

I loved him [Ke Huy Quan as Short-Round in Indiana Jones and the Temple of Doom] - everyone loved him when I saw the film. Now I'm a grown-up and I watch it I'm not so sure - he's so loud. He yells for the entire film.

A feature film is an expansion of budget, stress, story, hours, time, workload, everything.

There were definitely Nazis who saw the error of their ways.

I'm really not trying to do everything that comes to mind because that's when it can be dangerous. For instance, I believe as much as possible, how your camera moves and flies around should be limited to the physics of how you could do it in real life.

I've become more like water, I'm more relaxed and I'll say, "Okay, let's just completely change it and do it that way."